We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Destination Moon​.​.​. The Golden Age of Science Fiction

by Various

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £9 GBP  or more

     

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54.
55.
56.
57.
58.
59.
60.
61.
62.
63.
64.
65.
66.
67.
68.
69.
70.
71.
72.
73.
74.
75.
76.
77.
78.
79.
80.
81.
82.
83.
84.
85.
86.
87.
88.
89.
90.

about

The science fiction cinema that enjoyed a wave of popularity in the 1950s saw officious optimism and dark introspection jostling in close proximity, constantly battling for psychic supremacy. The broad and obvious association of the atomic age’s terrors with the panoply of giant monsters that stalked across the screen and the intrigued, visionary idealism of potential space travel were accompanied by subtler variations. Starting with Jack Arnold’s It Came From Outer Space (1953), the theme of possession or outright replacement of human beings by aliens became a recurring notion. This theme was quickly reused in a slew of genre films that followed, including Invasion of the Body Snatchers (1956), Invaders from Mars (1956), War of the Satellites (1957), I Married a Monster from Outer Space, The Trollenberg Terror (1958) and Village of the Damned (1961). All of these films exploited the fear of a loved-one suddenly turning into a stranger, the everyday and familiar suddenly subverted and turned into masking travesty. What was going on in the popular and artistic psyche at the time to make this a notion powerful enough to serve such repetition? Certainly this fear could cover vast territories in the modern psyche, from the most intimate personal disillusionment to raging schizoid fantasies, all somehow latching onto the new extremities and uprooted mood of the age..!
collated here in this first part, are some classics as well as some rarer known gems..!
such as...
Atom Age Vampire - Armando Trovajoli
Beyond the Time Barrier - Darrell Calker
Queen Of Outer Space - Marlin Skiles
I Married A Monster From Outer Space - Daniele Amfitheatrof/Nathan Van Cleave / Victor Young/Hugo Friedhofer / Walter Scharf /Franz Waxman / Jay Livingston / Mack David Leo Shuken / Sidney Cutner / Leith Stevens / Aaron Copland
The Phantom Planet - Leith Stevens
Destination Moon - Leith Stevens
War Of The Satellites - Walter Greene
The Angry Red Planet - Paul Dunlap
World Without End - Leith Stevens
The Lost Missile - Gerald Fried

credits

released March 24, 2024

Atom Age Vampire - Armando Trovajoli
Beyond the Time Barrier - Darrell Calker
Queen Of Outer Space - Marlin Skiles
I Married A Monster From Outer Space - Daniele Amfitheatrof/Nathan Van Cleave / Victor Young/Hugo Friedhofer / Walter Scharf /Franz Waxman / Jay Livingston / Mack David Leo Shuken / Sidney Cutner / Leith Stevens / Aaron Copland
The Phantom Planet - Leith Stevens
Destination Moon - Leith Stevens
War Of The Satellites - Walter Greene
The Angry Red Planet - Paul Dunlap
World Without End - Leith Stevens
The Lost Missile - Gerald Fried

license

all rights reserved

tags

about

Moochin' About England, UK

Launched 2011,by Barrow Producer & musician,
Jason Lee Lazell, the world & jazz buyer for Tower Records (1993-2003) the largest record store in Europe…the critically acclaimed label Moochin’ About has gained admiration from Cerys Matthews,Huey Morgan,Giles Peterson,Jamie Cullum,Stuart Marcone,Johnny Trunk,Robert Elms,Iggy Pop… ... more

contact / help

Contact Moochin' About

Streaming and
Download help

Shipping and returns

Redeem code

Report this album or account

If you like Destination Moon... The Golden Age of Science Fiction, you may also like: